Forced Removals Draw Fire in Rio de Janeiro (OPINION/BLOG)

by Gabriel Elizondo

The Metro-Mangueira favela as it is now, is used as a hiding place by residents PHOTO CREDIT: Elizondo/Al JazeeraRita Bonfim Silva is trying her best to keep up her normal routine: going out of her way to offer guests coffee, bread and butter.

But her life is likely to dramatically change very soon. The one room she rents in a crumbing three-level brick house in Metro-Mangueira favela in Rio de Janeiro is set to be demolished by the city as part of a re-development project under way in blighted areas of the city in the run-up to the 2014 World Cup and 2016 Olympics.

But for Ms Silva, it’s not easy for her to pick up and move. She is a single mother and is forced to be a full-time caregiver to her four-year-old son, Gabriel, who suffers from a form of cerebral palsy and demands constant care.

Rita Bonfim Silva holding her son, Gabriel, in the room she rents in a Rio favela PHOTO CREDIT: Elizondo/Al JazeeraMetro-Mangueira favela, where Ms Silva lives, at its peak had 500-700 families, which is small by Rio favela standards. It occupies a narrow strip of land a few blocks long by the side of railroad tracks and right at the base of the much larger and more famous Mangueira favela.

It is a 15-minute walk from Rio’s famous Maracana football stadium, but despite being so close, Ms Silva says she hasn't seen any benefit from the World Cup or Olympics coming to Brazil.

"For me and other poor people too, I have not seen anything change or get better with the World Cup," Silva said. “Nothing has helped us at all. We have not seen any improvement. No financial help. Not housing help. Not education. Not health. Nothing has gotten better for those who need it.”

Some houses in the Metro-Mangueira favela are being bulldozed piece by piece, as residents leave. The residents that have so far refused to leave, now live amongst the rubble of half collapsed brick homes that have become a hidden haven for crack addicts.

Ms Silva, numerous elderly woman and young children, and about 250 other families remain. It's as though they are being forced out with nowhere else to go, they say.

They have been given little information from the city, they say, and the rumor in the favela is that the land will be used to build a parking garage for Maracana stadium (the city denies this).

Jorge Bittar, Rio’s housing secretary, admits that the re-location process is not always smooth, and even concedes some people might be falling through the cracks. But, he says, the city is certainly not intentionally violating the housing rights of anybody.

He says the residents of Metro-Mangueira are living in "precarious" conditions and need to be relocated irregardless of any future mega sporting events.

“We are not trying to undertake a process of forced removal of anyone,” Bittar said. “We are doing relocation of families because they live in at risk areas...We always desire to do what’s in the best interest of families.”

Bittar also proudly shows off drawings and plans of how the area will be made into a public green space, with a community center and walking paths.

He said public housing is being built to accommodate families, but not all units are ready yet.

What is happening in Metro-Mangueira favela is not unique. Rio de Janeiro is going through a re-development boom, with as much as $15bn to be invested in the city in the coming years to make way for infrastructure projects ahead of the World Cup and Olympics.

At least a half dozen other poor communities in Rio de Janeiro are in the middle of forced relocations, and causing alarm with human rights activist.

Amnesty International has a high-level delegation led by secretary-general Salil Shetty visiting Brazil this week partly to take stock of this very issue. And the United Nations special rapporteur on housing, Raquel Rolnik, has been investigating what is going on in Rio de Janeiro, and her report is due out by the end of the month and expected to be a scathing condemnation of potential human rights abuses. (Rolnik is Brazilian, and a professor at the University of Sao Paulo).

“There is a lot of pressure with the World Cup and Olympics to present the city of Rio in the best light, but it’s having a negative impact on poor communities,” said Patrick Wilcken, Brazil researcher for Amnesty International.

A poster on a house in Metrô-Mangueira favela showing a bulldozer with a Rio2016 sign and a hand trying to block it, symbolic of how many people refuse to have their homes destroyed without a fight PHOTO CREDIT: Elizondo/Al Jazeera

Wilcken also said poor residents of favelas have property rights that need to be respected.

“By Brazilian law, if you have lived someone for a certain number of years you have property rights," Wilcken said.

“In Brazil, more that half the population lives in some sort of irregular settlement as a result of the chaotic way in which the country developed over the 20th century.

Some of these communities in Rio have been around 30, 40, 50 years so they do have housing rights under Brazilian law - the difference is that poor communities don’t have access to justice.”

The city is offering financial compensation, but it varies widely and most residents of Metro-Mangueira didn’t even seem to know what financial help is being offered or how to get it. Few, if any, residents can afford lawyers.

Rolnik, the UN housing rapporteur, said based on her investigation thus far, “the compensation is always absolutely insufficient for families to get adequate housing,” she told O Estado de. S. Paulo newspaper. “They are, therefore, truthfully going to be products of new favelas, new risk areas, or homeless.”

For people like Rita Bonfim Silva and the remaining residents of Metro-Mangueira, things aren’t getting any better. They say the electricity and water lines have been cut, an obvious attempt by the city, in their mind, to force them out.

Ms Silva says she is left with the clear impression that as Rio de Janeiro rushes to re-build itself bigger and better in the name of progress, some poor people like her are seen as nothing more than in the way.

by Gabriel Elizondo - originally published by Al-Jazeera on April 25, 2011 under Creative Commons Licensing 

China Opens to Brazilian Pork (News Brief)

(Courtesy: cupcakesandcrablegs.com)-by Danilo Macedo Reporter Agência Brasil

One of the concrete results to come out of the visit to China by Brazilian President Dilma Rousseff is the opening of the Chinese market to Brazilian pork.

The Chinese have authorized the imports from three Brazilian meatpakers. The Minister of Agriculture, Wagner Rossi, told reporters that the announcement was a victory in Brazil’s efforts to increase exports of higher aggregate value to China.

The president of the Brazilian Pork Producer and Exporter Association, Pedro de Camargo Neto, who was also in China as part of the presidential mission, declared that permission for three meatpakers represetned the opening of the Chinese market and that the task ahead was to expand this further.

China is the world’s leading producer and consumer of pork. Negotiations to have access to the Chinese market have been ongoing since 2009, although some Brazilian pork does already reach continental China through Hong Kong, where the Brazilians have a strong foothold.

China is also currently the largest importer of Brazilian chicken; in 2010, exports of chicken to China were worth almost $220 million. In addition total Brazilian farm produce exported to China was worth $11 billion, up from $3.5 billion in 2007.

With the opening of pork exports to China there will be an effort to increase meat exports to China in general declared Camargo Neto.

 - Originally published by Agência Brasil April 13, 2011 under Creative Commons Licensing   

New Convention Imposes Penalties for 'Enforced Disappearance' (Report)

(HN, December 23, 2010) - The entry into force of the International Convention for the Protection of All Persons from Enforced Disappearance is being hailed as a milestone event in the fight to prevent and eradicate disappearances.

The new convention may help prevent enforced disappearance

"It is an important achievement in the struggle against a cause of indescribable fear and sorrow for hundreds of thousands of people worldwide," said Olivier Dubois, deputy head of the Central Tracing Agency and Protection Division of the International Committee of the Red Cross (ICRC). "This convention will certainly contribute to greater protection against enforced disappearance. States that are party to it must implement it into national law. They must put it into practice and make enforced disappearance an offence under their national criminal law."

Enforced disappearance is a crime under international human rights law and – when it occurs in war – under international humanitarian law. The convention contains a series of measures to prevent forced disappearances.

For example, it requires that any person deprived of liberty must be registered by the detaining authority. It also enshrines the right of any victim to know the truth about the circumstances of an enforced disappearance and the fate of the disappeared person. The convention also requires suitable criminal sanctions to be taken against persons who commit enforced disappearances. As of today, the provisions of the treaty are legally binding on the first 20 States that have ratified or acceded to it.

Iraq, which acceded to the treaty 30 days ago, triggered the entry into force. Tens of thousands of people in Iraq are still hoping to receive news of their relatives who have gone missing in the country since the 1980s.

The other signatories as of now are: Albania, Argentina, Bolivia, Burkina Faso, Chile, Cuba, Ecuador, France, Germany, Honduras, Iraq, Japan, Kazakhstan, Mali, Mexico, Nigeria, Paraguay, Senegal, Spain and Uruguay. It will also be binding on Brazil as of 29 December 2010.

In every situation of armed conflict or internal violence, people disappear. In Bosnia and Herzegovina, to mention just one other example, the fate of more than 10,000 people who went missing during the conflict in the early 1990s remains unknown.

Despite its illegality in international law, Human Rights Watch said world governments "routinely" fail to investigate accounts of disappearances.

"Putting this landmark treaty into effect is immensely important, but to end this practice, every country is going to have to recognize that it may never abduct people and hide them away," Aisling Reidy, a legal adviser for the rights group, said in a statement.

The ICRC works around the world to prevent people from going missing, to help clarify what happened to those who do disappear and to support the families of missing persons. The ICRC has also actively supported the process of drafting the convention and is committed to achieving its widespread ratification and implementation.

- HUMNEWS staff, ICRC, UN

The 7th Annual `ARTIVIST' Film Festival Begins Tonight in LA: Meaningful Media at its Best

(HN, December 1, 2010) -- Artivist means ARTIST+ACTIVIST = ARTIVISTS.  Founded in 2003 as a non-profit charitable organization by Diaky Diaz, Dr. Bettina Wolff, Psy.D., and Christopher Riedesel, the Artivist Film Festival is the only festival dedicated to raising awareness for International Human Rights, Children's Advocacy, Environmental Preservation, and Animal Advocacy through Film.  (SEE TRAILERS FROM MANY OF THE FILMS BELOW)

This is the 7^th year, with events taking place in LA (beginning today through 12/4/10), NY (at Tribeca Cinemas from 12/9-12/12/11) and in Rio de Janeiro (March 2011); screening 45 films from around the globe including independent, narratives, documentaries, shorts, and experimental films. Artivist’s mission is to strengthen the voice of socially conscious artists - "Artivists" - while raising public awareness for social global causes.  The Festival has showcased 400+ films representing more than 60 countries around the world over the past 7 years and has reached millions of people with its film festivals in Hollywood, London, Tokyo, Mexico City, and Lisbon and the main annual event is held in Los Angeles every year.   And tickets to all of the screenings are FREE!

In recognition of the socially conscious platform it provides, Artivist has been endorsed by Claes Nobel of the Nobel Prize family; by Senator Barbara Boxer, by the United Nations Department of Public Information; and this year is being sponsored by Petrobras.

Films Premiered at the Artivist Film Festival have received international acclaim such as ACADEMY AWARD winner "Born Into Brothels", ACADEMY AWARD Nominees "Super-Size Me" and “God Sleeps in Rwanda”, “Fast Food Nation",  “Emmanuelle's Gift", “Zeitgeist”, "Trudell“, “Stolen Childhoods”, and more.

Artivist Founder-President, Diaky Diaz, states: "Raising awareness for the interdependence between Humanity, Animals, and the Environment is the true mission of Artivist. Filmmakers, celebrities and NGOs from around the world gather at the Artivist Awards to celebrate advocate artists that inspire positive actions in our global community.”

As they do each year, Artivist honors artists whose exemplary work in their community stands out as a shining example of one’s ability to change the world for the better. This year Artivist will honor Actor Peter Fonda with the Artivist Award for Lifetime Achievement in Arts and Advocacy; Barbara Pyle will receive the award for Environmental Humanitarianism, and Avis Richards will receive the award for Community Advocates.

About the Honorees:

►        Peter Fonda:  With an acting career that spans over fifty years in theater and films, Peter Fonda is a celebrated artist, counter-culture icon and a noted member of family of celebrated actors including his father legendary thespian Henry Fonda, his sister actress and fitness icon Jane Fonda, and his daughter actress Bridget Fonda.  Over the years, Fonda has supported numerous motorcycle-related fund raising programs such as Easy Ride for Autism, and the Love Ride, which supports of people with muscular dystrophy. His current film Smitty emphasizes pet adoption and is part of the Adopt-A-Dog Month campaign; his environmental efforts to encourage alternative energy through supporting the film Fuel and his recent clean-up work in the Gulf of Mexico with the Gulf Coast Fund; as well as his work on human rights with Doctors Without Borders, and his work with Best Buddies whom he recently received the award for Legacy Leadership, make Fonda a perfect honoree for Artivist’s issues.

►        Barbara Pyle:  For 20 years Barbara Pyle served as Corporate VP of Environmental Policy at the Turner Broadcasting System (TBS), setting the company's environmental broadcast agenda and branding TBS as the environmental network. As CNN’s Environment Editor, Barbara introduced and oversaw environmental coverage, including the original Earth Matters, which premiered on CNN in 1981 and she championed Corporate Social Responsibility (CSR) Policies and initiatives company-wide; setting the standards for energy efficiency, recycling and carpooling with her department's award-winning Clean Air Commute program. With Ted Turner, Barbara created the animated action adventure series Captain Planet and the Planeteers, overseeing production of 113 episodes as Executive Producer. Broadcast in over 100 countries to popular and critical acclaim, this classic eco-toon has won dozens of awards and today still has a very dedicated international fan base. To reach the next generation of Planeteers, it is now streaming online at the Mother Nature Network (MNN).

►        Avis Gold Richards: is the Founder and CEO of Birds Nest Foundation™, a 501(c)3 non-profit  creative group that produces high-quality documentaries, short videos and  public service announcements (PSAs) for charitable organizations. She is an award-winning executive producer and director who has produced and directed over 50 films, multiple websites and events in support of NGO’s winning more than a dozen Stevie Awards, Telly Awards, Davey Awards, and Aurora Awards for producing non-profit films and videos on the issues of healthcare and education, serving inner-city youth, protecting against domestic violence, promoting human rights, and defending the environment. The goal of Birds Nest Foundation is to provide the media to educate and promote important causes and issues that enable non-profits and other foundations to communicate their messages through "moving pictures."   Avis is currently producing a public television series entitled "Lunch NYC" for NYC Media, part of the City of New York Mayor's Office of Film, Theatre & Broadcasting, after the successful launch of her short documentary, LUNCH, which was sponsored in part by Earth Day Network. The series exposes unhealthy foods being served in the public school system across the US and highlights the efforts of individuals actively seeking alternatives to promote nutrition and health.

Past Artivist Award recipients include: Olivia Wilde, Hank Azaria, Ted Danson, Alyssa Milano, Joaquin Phoenix, Matthew McConaughey, Mira Sorvino, James Cromwell, Ed Begley Jr, Tippi Hedren, Mike Farrell, Claes Nobel of the NOBEL Prize Family and noted producer Stephen Nemeth.

This year’s awards will take place December 4 at the historic Egyptian Theatre in Hollywood at 8pm and will be hosted by Actors’ Boris Kodjoe and Vanessa Williams; featuring celebrity presenters and guests such as Nicole Ari Parker, Ryan Gosling and many more, followed by a vegan, organic reception.

FOR FREE TICKETS visit: http://artivistff-la.eventbrite.com/

*NOTE ALL OF THE FILM SCREENINGS IN LOS ANGELES AND NEW YORK ARE FREE TO THE GENERAL PUBLIC

Schedule of film screenings & selected film trailers - Los Angeles Dec 1-4, 2010 

Location: Egyptian Theatre 6712 Hollywood BLVD. Los Angeles, CA 90028

Wednesday, December 1, 2010

8:00PM - "ReGeneration" / Director: Phillip Montgomery 

Artivist Opening Night Event Screening – Los Angeles Premiere

Synopsis:  Philip Montgomery’s feature documentary film ReGeneration takes an uncompromising look at the issues facing today’s youth and young adults, and the influences that perpetuate our culture’s apathetic approach to social and political causes. Focused on how today’s education, parenting, and media can shape us, the film follows three stories each with a unique perspective – from an inspired collective of musicians working outside the corporate system, to a twenty-something conservative family about to welcome the birth of their second child, and a group of five high-school students from the suburbs looking for their place in society.  Their stories are interspersed with the knowledge, wisdom, and personal reflections of some of the country’s leading scholars, social activists, and media personalities, including Andrew Bacevich, Noam Chomsky, Talib Kweli, and the late Howard Zinn, among others.

8:00PM - Journey from Zanskar / Director:  Frederick Marx

Synopsis:  Two Buddhist monks promise the Dalai Lama they'll do everything in their power to help save Tibetan culture from destruction. Working in one of the most remote and desolate places on Earth - Zanskar, in northwest India - the monks build a school in their 1,000 year old monastery combining the best of modern and traditional education. Not content to wait for completion, they take 17 of the poorest children from nearby villages and walk over the mountains to get them into schools and monasteries. This is the story of their incredible journey.

8:00PM - The Last of the Black Tents

Synopsis: Focusing on the Khampa Tibetan nomads whose ancestral lifestyle is threatened by China's forced modernization, 'The Last of the Black Tents' explores an eye-opening subject in one of the world's most remote regions. In this short documentary, the expedition team captures the lives of these nomadic people who live close to the source of the Mekong River in China's Qinghai province. Stewards of the land for millennia, their unique culture, lives and livelihoods face an uncertain future. The film is part of a series produced by Radio Free Asia Note: the expedition team's identities are protected to ensure they can return to these regions, which are in countries that prohibit outside journalists and documentarians to wander freely. The identities of subjects in the film are also concealed for their protection.

9:00PM - "Fish: A Boy in a Man's Prison" / Director: T.J. Parsell  

Synopsis:  A 17 year old boy is sent to an adult prison for robbing a Fotomat with a toy gun. He thinks he's going to a minimum security prison camp where they send non-violent, first-time offenders, but the prison psychologist in charge of inmate classification tells him that he's going inside the walls of a maximum security prison. Shot entirely in the Hampton's, (at the Sag Harbor historic jail) this film is an adaptation from the book, Fish: A Memoir of A Boy in a Man's Prison.

9:00PM - "Will” / Director:  Hannah Robbins

Synopsis: Meet William, a twenty-year-old broken soul who has been homelessness, and addicted to drugs and alcohol. Today he has found solace through a youth shelter.  Sol House is a transitional living program for homeless youths between the ages of 16 and 21.  It provides shelter, life skills, counseling, and social and mental health services.  Will is an experimental documentary showing the past, present and expected future of William, a victim of child abuse and neglect.   I hope to express his life through the use of archive footage, black and white photography and verite footage.  As a resident of Sol House, his life is starting to improve, but for how long, who can say?  I met William in October when he had been at Sol House only a few weeks.  Prior to this, he had been in jail and on the street, a common story of so many homeless youth. According to the National Coalition of Homelessness, the 'Causes of homelessness among youth fall into three inter-related categories: family problems, economic problems, and residential instability.'  William plans to finish high school and get a job.  Sol House offers hope and opportunity to young people such as William.   I believe this film will offer a realistic and representative portrait of the lives and experiences of millions of homeless youth in the United States. 1 in 6 children live below the poverty line in America.

9:00P - "Kids of the Majestic / Director:  Dylan Verrechia 

LA Premiere at the 7th Artvist Film Festival - Los Angeles

Synopsis: Every day, a sea of passengers floods the Majestic Railway Station of Bangalore City, India. Beneath the commotion of commuters, a group of orphans live beneath the station, collecting the trash that the passengers have left behind. 'Kids of the Majestic' is a documentary by filmmaker Dylan Verrechia and Dr. Suhas Radhakrishna that follows a group of such orphans: Rafik, a smiling young drug addict; Mental Manja, nicknamed 'mental' because he didn't speak until he was 10; Arun-Badur, the artist and the writer; Baba, who at 8 has travelled throughout India alone; and Joti, mother-to-be at 16, who was abused at 9. The filmmakers befriended these children who, uneasily and slowly, opened up to them,  sharing  their life stories as no one before has ever heard. This documentary upholds a strong moral content by not only depicting the reality and hardship of these children, but also the positive aspect of this social group that works within its community.

Thursday, December 2, 2010

Tainted Wolves / Director: Amitabh Avasthi 

Synopsis: Each year, nearly 70 percent of gray wolf pups in Minnesota die from a virus common in domestic dogs. Scientists believe that a series of rare mutations and increased air travel helped a feline virus jump from cats to dogs, and then to gray wolves. This short documentary explores the threat to gray wolf populations from canine parvovirus, the factors helping its spread, and the lessons we can draw from viruses -- HIV1, SARS Coronavirus, HINI swine flu -- that jump from one species to another.

6:30PM - “The Hybrid Union” / Director: Serguei Kouchnerov 

Synopsis: Somewhere in the imaginary land of cyberdesert, unaware of each other’s presence, two abstract characters, Plus and Minus, coexist. Plus struggles with a dependency on an obsolete source of energy while the light-powered system of Minus is threatened by an ominous dark cloud. The unexpected meeting between Plus and Minus leads to a competitive race until they are interrupted by the surprising appearance of another stranger. This new character, Smart, moves fast on demand and seems unaffected by an external circumstances. In order to challenge Smart, Plus and Minus are compelled to combine their unique individual capabilities. Will this hybrid union win the race against the newcomer?

6:30PM - H2Oil / Directors: Dale Hayward & Sylvia Trouve

Synopsis: The H2oil animated segments are 3 short films completed for the feature length documentary 'H2oil' which is about the Alberta tar sands & its war with water. These animations explain the tar sands process, it's relationship with water, and how NAFTA is involved. They were animated with a mixture of 2D and after effects, using illustrations and elaborate photo textures to emphasize the harsh reality of this catastrophic operation. It goes without saying that water -- its depletion, exploitation, privatization and contamination -- has become the most important issue to face humanity in this century. Water security will soon define­ the boundaries between people and countries. The war for oil is well underway across the globe. However, a struggle is increasingly being fought between water and oil, not only over them. Alberta's oil sands are at the tension center. The province is rushing towards large-scale oil extraction, which will have far reaching impacts on water, health, animals and the environment in the region.

6:30PM - Water On The Table / Director: Liz Marshall

Synopsis:  Water On The Table is a character-driven, social-issue documentary that explores Canada's relationship to its freshwater, arguably its most precious natural resource. The film asks the question: is water a commercial good like running shoes or Coca-Cola, or is water a human right like air? Water On The Table features Maude Barlow who is considered an 'international water-warrior' for her crusade to have water declared a human right.  'Water must be declared a public trust that belongs to the people, the ecosystem and the future and preserved for all time and practice in law.' The film intimately captures the public face of Maude Barlow as well as the unscripted woman behind the scenes. The camera shadows her life on the road in Canada and the United States over the course of a year as she leads an unrelenting schedule. From 2008 - 2009 Barlow served as the U.N. Senior Advisor on Water to Father Miguel d'Escoto Brockmann, President of the 63rd Session of the United Nations. But more than a portrait of an activist, Water On The Table is a poetic-essay that presents several dramatic and artfully crafted debates. Barlow's opponents; policy and economic experts in Canada and the U.S., argue that water is no different than any other resource and that the best way to protect freshwater is to privatize it. It is proposed that Canada bulk-export its water to the United States in the face of an imminent water crisis.

7:00pm - “How Weed Won the West” / Director: Kevin Booth

LA Premiere at the 7th Artvist Film Festival - Los Angeles

Synopsis: While California is going bankrupt, one business is booming. 'How Weed Won the West' is the story of the growing medical cannabis / marijuana industry in the greater Los Angeles area, with over 700 dispensaries doling out the buds. As a treatment for conditions ranging from cancer and AIDS, to anxiety, ADHD, and insomnia, cannabis is quickly proving itself as a healthier natural alternative to many prescription drugs. Following the story of Organica, a collective owned by Jeff Joseph that was raided by the DEA in August of '09, the film shows that although some things have changed with Obama in office, the War on Drugs is nowhere near over. From Kevin Booth, the producer/director of Showtime's 'American Drug War', 'How Weed Won the West' puts California forward as an example to the rest of the country by documenting how legalizing marijuana can help save the economy.

8:30PM - "Shadows in the Forest" / Directors: Carly Pandza, Jacob Tyler, Matthew Prouty, Roxanna Amini

Synopsis: The indigenous communities of Cameroon are losing the very essence of their culture and are powerless to prevent it. These communities, commonly known as Pygmies, have lived in the forests of the Congo Basin for thousands of years and are now being removed from their land. Their own government does not acknowledge their existence and as their protests go unheard their land is destroyed and replaced by uninhabitable palm oil plantations. There are those who have come to aid the Pygmies in their plight, but they are desperately in need of funding and support.

8:30PM - "Africa's Lost Eden" / Director: James Byrne

Synopsis: It was once known as 'the place where Noah left his Ark' - 4,000 square kilometers of lush floodplains in central Mozambique, packed with wild animals.  But 15 years of civil war has taken a heavy toll- and many species have been almost completely wiped out. Journey with National Geographic to Mozambique's Gorongosa National Park and discover what is being done to bring this Africa oasis back to its former glory- including perhaps the most ambitious restoration effort ever attempted, with elephants, hippos and scores of zebra, wildebeest, impala and buffalo being relocated into the park.

9:30PM - "War Don Don" (War is Over) / Director - Rebecca Richman Cohen

LA Premiere at the 7th Artivist Film Festival - Los Angeles

Synopsis: "War Don Don" (War is Over) is a Rashomon-esque legal documentary, with global importance, a thought provoking film that engages the heart, mind and conscience. In Freetown, the capital of Sierra Leone, United Nations soldiers guard a heavily fortified building known as the 'special court.' Inside, Issa Sesay awaits his trial. Prosecutors say Sesay is a war criminal, guilty of crimes against humanity. His defenders say he is a reluctant fighter who protected civilians and played a crucial role in bringing peace. Directed by Rebecca Richman Cohen, "War Don Don" tells the story of a sensational trial with unprecedented access to prosecutors, defense attorneys, victims, and from behind bars, Sesay himself. In Krio, war don don means 'the war is over,' as today, thankfully, Sierra Leone is at peace. Can the trial of one man uncover the truth of a traumatic past?

10:00PM - Gorillas 98% Human / Director: Charles Annenberg Weingarten

Synopsis:  On a trip to Rwanda, NatGEO explorer had the opportunity to visit four families of wild mountain gorillas, a species with only 720 remaining members. Their guide is Craig Sholley, who has been intimately involved in the preservation of African wildlife for more than 30 years. The team's thrilling interaction with these peaceful creatures who share 98.6% of their genetic makeup with humans is a startling reminder of their own humanity.

10:00PM - Wild Horses in Winds of Change / Director: Mara La Grande 

Synopsis:  In a desperate run for their lives, America’s wild horses are being rounded up by helicopter from their free roaming lives on the range, with nearly forty thousand languishing in long term “warehousing”, the time for solutions is critical. As tensions escalate for their future, this film takes us on a journey into the vital importance of the wild horse to humanity while offering a thoughtful portrayal into their ability to adapt to an ever changing landscape, thus surviving the great odds of time and the human as conqueror. Unraveling outdated myths and prejudices, this documentary exposes the politics and mis-management that have led to the crisis.  In the midst of conflict, solutions are presented to help the wild horses and burros continue to thrive sustainably on the land simultaneously requiring all of us to develop resource conservation methods and an ability to work together for the common good.

10:00P - Albatrocity / Directors: J. Ollie Lucks, Iain Frengley, Edward Saltau

Synopsis:  'Albatrocity' was made on a very limited budget of only $2000 NZD. We spent this entire amount on a trip to film Southern Royal Albatross in their natural environment on Campbell Island, a remote New Zealand territory in the southern ocean. This trip not only allowed us to film the birds in their untouched yet fragile habitat, but it also helped us appreciate how at ease and graceful Albatross are in the violent storms of the southern ocean. Consequently, our film portrays these almost fantastical animals in a suitably creative way. We use Samuel Colleridge's atmospheric and metaphoric poem, 'The Rime of the Ancient Mariner' as a modern day metaphor for the detrimental relationship between seabirds and commercial fishing.In an attempt to help the interview and informative sections of the film gel with the creative parts, we used innovative graphics and visual effects techniques. This is the first film that we've made and above all we wanted to challenge ourselves and the rules you are taught at film school. We hope that viewers find it both aesthetically pleasing and emotionally evocative. We are proud of the way 'Albatrocity' combines educational information about an environmental issue, whilst maintaining creative integrity.

Friday, December 3, 2010

10:00AM - Lunch / Director: Avis Richards

Synopsis: As nation-wide funding for school cafeterias rapidly decreases and high-calorie, low-nutrient meals have become order of the day, our nations children are being afflicted by a slew of diet-based diseases from high-blood pressure and cholesterol to diabetes and obesity. In Lunch, a revealing documentary short, director Avis Richards investigates the causes and the consequences of growing up in a junk-food culture.

10:00AM - Climate Refugees /Director: Michael Nash

Synopsis:  The Human Face of Climate Change. There is a new phenomenon in the global arena called “Climate Refugees”. A climate refugee is a person displaced by climatically induced environmental disasters. Such disasters result from incremental and rapid ecological change, resulting in increased droughts, desertification, sea level rise, and the more frequent occurrence of extreme weather events such as hurricanes, cyclones, fires, mass flooding and tornadoes. All this is causing mass global migration and border conflicts. For the first time, the Pentagon now considers climate change a national security risk and the term climate wars is being talked about in war-room like environments in Washington D.C.

4:30PM - Last Chance / Director: Sami Nikki

Synopsis:  Last Chance is a timeless piece about the importance of hope in our current environment. Through a tale of evolving consciousness it shows the viewer a simple beacon of happier times. The story is told through a series of paintings, computer animation that is softer than other contemporary styles. Instead of aiming for a more realistic look, a subtler but more vivid style has been chosen.

4:30PM - Beating the Bomb / Directors: Wolfgang Matt, Meera Patel

Synopsis: 'Beating the Bomb' covers 50 years of the Peace movement in Britain against the historical and political backdrop of the atomic age. The narrative follows the now called 'nuclear deterrent', starting at the dawn of the nuclear age in WWII to present day.  Nuclear weapons shaped the power structures that rose out of the rubble of WWII and underpin them to this day.  It is widely argued that the pressing issues of the day, from poverty to climate change cannot be tackled without addressing the underlying economic system. Our film evidences the claim that the foundations of our economic system are 'straight power concepts'.  The most straightforward of these concepts being the bomb, both in its physical manifestation and also in the mindset it engenders and stems from. The film charts the efforts of individuals and organizations to rid Britain of its nuclear weapons system from past to present.  It also frames the nuclear weapons issue within the wider context of global justice. The film is a tribute to peace campaigners and accordingly features interviews with Tony Benn, Mark Thomas, Walter Wolfgang, Helen John and Vivienne Westwood, bringing into special focus the UK based Campaign for Nuclear Disarmament (CND). It is an attempt to mediate their spirit & commitment and to thus empower & inspire the viewer.

6:30PM - Arena / Director: Jota Aronack 

Synopsis: Jonash does not know what sunlight is. He has never seen a tree or the sky. He has never left his room. He does not need to. But that note makes him think, and the simple idea of having an option, becomes powerful. Arena, biography of a revolution.

6:30PM - Desert of Forbidden Art / Directors: Amanda Pope, Tchavdar Georgiev

Synopsis: How does art survive in a time of oppression? During the Soviet rule artists who stay true to their vision are executed, sent to mental hospitals or Gulags. Their plight inspires young Igor Savitsky. He pretends to buy state-approved art but instead daringly rescues 40,000 forbidden fellow artist's works and creates a museum in the desert of Uzbekistan, far from the watchful eyes of the KGB. Though a penniless artist himself, he cajoles the cash to pay for the art from the same authorities who are banning it. Savitsky amasses an eclectic mix of Russian Avant-Garde art. But his greatest discovery is an unknown school of artists who settle in Uzbekistan after the Russian revolution of 1917, encountering a unique Islamic culture, as exotic to them as Tahiti was for Gauguin. They develop a startlingly original style, fusing European modernism with centuries-old Eastern traditions. Ben Kingsley, Sally Field and Ed Asner voice the diaries and letters of Savitsky and the artists. Intercut with recollections of the artists' children and rare archival footage, the film takes us on a dramatic journey of sacrifice for the sake of creative freedom. Described as 'one of the most remarkable collections of 20th century Russian art' and located in one of the world's poorest regions, today these paintings are worth millions, a lucrative target for Islamic fundamentalists, corrupt bureaucrats and art profiteers. The collection remains as endangered as when Savitsky first created it, posing the question whose responsibility is it to preserve this cultural treasure.

7:00PM - “Complexo – Universo Paralelo” / Director: Miro Patrocono

LA Premiere at the 7th Artivist Film Festival - Los Angeles

Synopsis: At the peak of tensions in Rio, Brazil, two Portuguese brothers ventured into the most feared slum and lived there during the largest police operation ever launched in that state. They experienced a life where most people awaken to the sound of gunfire and sleep accompanied by shots. The heads of the largest criminal faction in Rio speak intimately and plainly of the life in the world of trafficking. They are the power that exists after a decades-long absence of government power. But the film also offers a slice of life with inspirational characters - a mother shows how her faith in Jesus makes her believe all is possible; the president of the dwellers' association shows that despite the frightening expansion of the complex, the arrival of crime, drugs and guns, he is able to make life better for his favela neighbors; a rapper - MC Playboy - a funk artist who realized that his path was not trafficking, while he saw many of his friends murdered, he conquered his space within the community and fights to destroy prejudice and bring all of society together. The people in the favela live under constant tension in the midst of a power game where both everything and nothing is possible. Through action and word, each character adds a piece to a gigantic puzzle that reveals to us the daily life of the favela as a whole. Director Mirio Patroconio’s film asks and answers “How is it to survive in this reality?” 

8:30PM - Trees / Director: Randy Wakerlin

Synopsis: Voiced by the incomparable Tom Kenny (Sponge Bob) with Jill Talley, “Trees” serves as a comic warning about the devastating effects of deforestation of our rainforests. As the story unfolds, we move through a lush deep green pastoral jungle inhabited with exotic creatures. “Welcome to the oxygen factory! We breathe in the old CO2 and breathe out the O2. I tell you, though, a lot more CO2 these days,” barks a tall, skinny character who calls himself the “green collar guy.” “Yeah, lotta CO2,” confirms his leafy companion, Donny. Suddenly, a chain saw starts up, followed by the sound of another tree crashing to the ground. “The rain! Tell them about the rain!” our fallen friend gasps. Green collar guy happily demonstrates what he calls “transpiration – how the trees water each other downwind with their “breath.” As the situation spirals downward it seems clear: our long-limbed neighbors are not the only ones fated for the endangered list.

8:30PM - The Krill is Gone / Director: Jeffrey Bost

Synopsis: Voiced by the incomparable Tom Kenny (Sponge Bob) with Jill Talley, “The Krill is Gone” brings comic awareness to the looming danger of man-made global warming on the fragile ecosystems deep within our oceans. As this ominous tale begins, our host – the Robin Leach-like Plankton Emiliania Huxleyi — introduces us to his undersea world just seconds before he is devoured by a ditzy Krill, who quickly sheds her shell in a successful maneuver to outwit a predator only to have trouble sprouting another. As the tour continues, we spot a celebrity tuna who looks and talks suspiciously like Al Gore, dodge a swarm of deadly jellyfish, and watch in horror when the dastardly source of the problem is finally revealed.

8:30PM - Deep Green / Director: Matt Briggs

Synopsis: Almost every time we use energy, we burn carbon. Every time we burn carbon, we heat up the atmosphere.  It's a dirty fact that Global Warming cannot be stopped as long as fossil fuels run our planet. We can fix this. Over three years in the making, 'Deep Green' is the first documentary devoted exclusively to showing us how. Accompanied by an international team of award-winning cinematographers, filmmaker Matt Briggs takes us on a compelling journey to nine countries, including China, to uncover the best people with the best ideas, strategies and cutting-edge technologies that can get the job done... if we start now.This inspiring feature presentation includes two electrifying animated shorts on the devastating effects of clear-cutting our rainforests and burning carbon for energy on the fragile ecosystems within our oceans.

9:30PM - Hempsters / Director: Michael Henning

Synopsis: HEMPSTERS: PLANT THE SEED follows seven activists as they fight to legalize industrial hemp in the United States, which is used in over 30 countries and is widely known to have numerous environmental benefits such as:  less reliance on oil, more efficient use of energy, forest conservation, soil redemption and landfill use reduction, just to name a few. Featured in the film are Woody Harrelson, Willie Nelson, Ralph Nader and Merle Haggard.  HEMPSTERS is a thought-provoking and compelling documentary that will not only encourage all of us to take action, but love us one step closer towards a more sustainable planet.

11:00PM - USS Din / Director: Vikram Gupta

Synopsis: Kabir and Ram were two kids who just wanted to play bat-and ball. One day, there was a big fight amongst the elders, which left the family divided into two. Kabir and Ram now found themselves on opposite sides trying to reach each other. The bat was smashed, the ball was broken, and the kids were locked up in their houses. And then one house got the news....the others had got a gun. So began a mad race of collecting weapons, that reached ridiculous extents. When fear drives people to surrounding themselves with guns, one day, One of those guns is bound to go off. USS Din is the story of what happens that day.

11:00PM - Call me Salma / Director: Sebastien Rist

Synopsis:  The premiere of "Call Me Salma", a documentary on a transgender teenager, was held on February 4 at the auditorium of University of Liberal Arts Bangladesh (ULAB). ULAB and Bandhu Social Welfare Society organised the premiere.  Directed by Canadian filmmakers Sébastien Rist and Aude Leroux-Lévesque, the film is a story about "love and loss."  The film follows Salma, a 16-year-old transgender individual, who leaves her family and village, and moves into the hustle and bustle of city life in search of an identity, a new family and above all, a sense of acceptance.  Emotionally torn between her youth and her desire to be a woman, Salma decides to return to her village and face events that force her to question the preconceived notions of gender. The documentary is nearly 54-minute long.  ULAB Vice Chancellor Professor Rafiqul Islam formally inaugurated the premiere show. Anisul Islam Hero, director, Bandhu Social Welfare Society, also spoke on the occasion. The directors and Salma, protagonist of the film, were present and answered questions from the audience.  The filmmakers Sébastien and Aude have been in Dhaka for the past few months and followed the lives of local transgender communities as part of their research for the film. The film will be aired on a French TV channel later this year.

Saturday, December 4, 2010

12:00PM - How I Became an Elephant / Directors:  Synthian Sharp, Tim Gorski

Synopsis:  Watch as a 14 year-old girl from Los Angeles commits to the face-to-face rescue of a single female elephant living in a forced elephant breeding camp in Thailand. Tour the living conditions and tribulations of these captive giants as they’re “broken” to perform for humans… and stay with them in their final sanctuary until they accept their liberators into the herd, and finally see themselves, not as objects, but as elephants. 

12:00PM - “Play Again” / Director: Tonje Schel

LA Premiere at the 7th Artvist Film Festival - Los Angeles

Synopsis:  What are the consequences of a childhood removed from nature? One generation from now most people in the U.S. will have spent more time in the virtual world than in nature. New media technologies have improved our lives in countless ways. Information now appears with a click. Overseas friends are part of our daily lives. And even grandma loves Wii. But what are we missing when we are behind screens? And how does this impact our children's well being, our society and the very future of our planet? At a time when children play more behind screens than outside, PLAY AGAIN explores the changing balance between the virtual and natural worlds. Is our connection to nature disappearing down the digital rabbit hole? This documentary follows six teenagers who, like the 'average American child,' spend five to fifteen hours a day behind screens. PLAY AGAIN unplugs these teens and takes them on their first wilderness adventure - no electricity, no cell phone coverage, no virtual reality. Through the voices of children and leading experts including journalist Richard Louv, sociologist Juliet Schor, environmental writer Bill McKibben, neuroscientist Gary Small, educators Diane Levin and Nancy Carlsson-Paige, parks advocate Charles Jordan, psychiatrist Susan Linn, and Canadian scientist David Suzuki, PLAY AGAIN introduces new perspectives and encourages action for a sustainable future. The soundtrack includes music from well-known Icelandic band Sigur Ros and singer Kimya Dawson (JUNO soundtrack). Music Director is Andreas Hessen-Schei, of the Norwegian bands Jaga Jazzist and Shining.

2:00PM - “Maasai at the Crossroads” / Directors: Joe Dietsch, Kristin Jordan

Synopsis:  In MAASAI AT CROSSROADS, we chronicle the struggles of the Maasai tribe as they attempt to modernize while maintaining their traditional culture. Since the most direct route, of such a society towards modernization, is Education, the framework of the film is structured around the non-profit organization, Africa Schools of Kenya (ASK). A Speaker Program was conducted over March and April 2009. ASK is an educational curriculum that introduced experts in their area of expertise and their outside influences to the tribe - deeply influencing the worldview of the students, as will as the adults/elders. The external factors forcing the Maasai to modernize are the current drought and the encroaching influence of civilization. The questions asked are: What elements of any culture are important? / What should be preserved and what can be left behind? / Will the children return to the traditional Maasai way of life after being exposed to the modern world? If so, why? / What elements of the Maasai culture define them as a people? / How are the Maasai integrating modernization to aid themselves in becoming stewards of their land? / And why is this so important? 

2:00PM - The Story of Bottled Water / Director: Louis Fox

Synopsis:   The Story of Bottled Water employs the Story of Stuff style to tell the story of manufacturing demand, using the example of how you get Americans to buy more than half a billion bottles of water every week when it already flows from the tap. The film explores the bottled water industry's attacks on tap water and its use of seductive, environmental-themed advertising to cover up the mountains of plastic waste it produces. The film concludes with a call to 'take back the tap,' not only by making a personal commitment to avoid bottled water, but by supporting investments in clean, available tap water for all.

2:00PM - My Pantanal /Director: Andrea Heydlauff

Synopsis:  ‘My Pantanal’ is a film about a boy named Aerenilso, who lives on a ranch in the Pantanal, the world’s largest and wildest wetland, in Brazil. Aerenilso shows us what it is like to be a Pantanero (a cowboy), riding his horse, doing his chores, and exploring this incredible landscape that is teeming with wildlife, including the jaguar. Sadly, jaguars have been hunted by people but Aerenilso’s ranch is different; he lives on a conservation ranch where the cowboys and biologists are working together to show that ranching and jaguars can coexist in this magical place.

2:00PM - Campesinos / Director: Adam Pajot Gendron

Synopsis:     Three children live and work in agricultural communities in Central America: Duli harvests macadamia nuts in the mountains of Guatemala, Jenier coffee on an Island in Nicaragua, and Paul Cacao in the jungles of Costa Rica. Despite the distance that separates them, they share a common bond: they each belong to a cooperative of which their family is a member, and through which they work to create sustainable choices and improve their quality of life. These three children do not know each other, but share the collective experience of growing up in a community that has sought improvement. Where many have tried, they have succeeded. Where many have let go, they have not given up, and now their courage and determination is reflected in these children, the mirrors of their community. Through their day to day experiences, these children share their story and make us a part of their concerns in the face of an uncertain future. What they do, above all, is allow us to put a face on the people who harvest so that we can eat.

4:00PM - Hove (The Wind) / Director: Alex Webb

Synopsis:   Two Armenian women's friendship is deeply affected by a chance encounter with the past and the powerful, unresolved legacy of the Armenian Genocide. Zara (played by Olympia Dukakis) is visited by her friend Nina (played by Shirleyann Kaladjian) at her Armenian cultural bookstore.  Zara is reading a mysterious book that has deeply disturbed her.  Nina finally rouses Zara from the book and asks Zara what it is that had her so absorbed.  Zara mysteriously dismisses the question. Nina reveals a personal tragedy over coffee with Zara.  Zara goes to her desk to retrieve a treasured family heirloom to comfort Nina.  When she returns Nina is now engrossed in the mysterious book. They argue over the implications and Nina leaves.  The mystery of the book and Nina's tragedy is revealed along with a surprise about Zara's past at the end of the story.

4:00PM - Mine: Story of a Sacred Mountain / Director: Survival International

Synopsis:  The Dongria Kondh are one of India’s most remote tribes. In a stunning real-life version of ‘Avatar’, the metals giant Vedanta Resources is intent on mining the tribe’s sacred Niyamgiri mountain for bauxite, the raw material for aluminum. But the Dongria Kondh don’t simply accept their fate, but decide to fight. ‘Mine’ has been watched over 600,000 times online, and in a truly David v Goliath victory for the Dongria Kondh, the Indian government blocked Vedanta’s mine in August 2010.

4:00PM - The Last Cut / Director: Damian Rafferty

Synopsis:   We hear from mothers who have suffered because of Female Genital Cutting, a former cutter, villagers, medical experts, campaigners and Kadija who leads her team into remote villages and sets up a mobile cinema in places where they don't even have electricity. Over the course of five visits, she attempts to convert the mothers of the village to collectively abandon a harmful but almost ubiquitous practice. Villagers are drawn in by the entertainment, stimulated by the educational films thrown into the mix and engaged in a community wide discussion held under the African night. The mix of stories and discussion is what the griots (conveyors of oral culture) have been doing in these parts for hundreds of years. It turns out this is still the right approach if you want to affect change. Ultimately, this is a film about hope for the children of Mali and how it comes down to African people using African ways (even if the money comes from outside) to update rather than destroy traditional culture.

4:00PM - Water / Director: Corrie Jones

Synopsis: Toby yearns for a life like any other eight-year-old kid. But his mentally disabled father is a constant reminder that life for Toby, will never be normal. WATER is a film about a young boy's struggle to accept his fears, his mentally disabled father and his possible future duty.

4:00PM - Rapping in Iran / Director: Hassan Khademi

Synopsis:   If there is any music style in the world to which the term 'underground' can be justifiably applied, it is rap in puritanical Iran. Since the beginning of the 1990s, practically every kind of pop music has been forbidden in the Islamic Republic, but the state security forces crack down particularly hard on rappers. Their outfits, modelled on Western idols, their lyrics about identity conflicts and sexual deprivation or the fact that young women sing about themselves and their problems are reason enough to keep raiding the few studios in town and closing down the websites of the most famous singers and bands. The only consequence is that every closed down site spawns four new ones, the studios that are closed in one place re-open somewhere else and become more attractive to the scene. 'Rapping in Tehran' is about young people's tough struggle against the rigid rules of a government of old men whose resistance in the long run will be in vain. For the music keeps spreading: via the Internet, through exiled rappers who broadcast their lyrics into the country from Dubai, via mobile phones or secret parties. In any case, the courage with which they insist on the right to lead their own lives is cause for admiration.

--- HUMNEWS' Staff 

(Report) Brazil elects nation's first woman president

Dilma Rousseff greets supporters during her victory meeting in Brasilia, Brazil. (Marcelo Sayao, EPA / October 31, 2010) 

(HN, November 1, 2010) -- Dilma Rousseff, the former Marxist rebel who was imprisoned and tortured during Brazil’s military dictatorship, has become the country’s first female leader, winning 56% of the total votes compared to rival Jose Serra’s 44%

Ms. Rousseff, the protégée of current leader, Luiz inacio Lula da Silva (Lula), has vowed to follow in her predecessor's footsteps by continuing to work to eradicate extreme poverty in Brazil, which approximately 20 million people in Brazil suffer from.

Ms. Rousseff takes office on 1 January next year when President Lula steps down after completing the constitutional limit of two consecutive terms.

Her election as Brazil’s first female leader was a sign of the democratic progress Brazil has made, Rousseff said in her victory speech in the capital, Brasilia. “I am here stating my first post-election commitment: to honor Brazilian women so that this fact – unprecedented until now – becomes something normal and can be repeated and expanded in companies, public institutions, and organizations that are representative of our entire society.” She continued: “I would like very much today for fathers and mothers of daughters to look in their eyes and tell them ‘Yes, woman can.”

Rousseff, 62, had never before held elected office. She is an economist and worked her way up through local and state governments.

She joined President Lula’s cabinet as energy minister in 2003-5 and then became his chief of staff.  

She is expected to emphasize government efficiency, expand the role of state in some sectors such as mining, and upgrade the country’s dilapidated infrastructure.

Paying respect to her predecessor she said, “The task of succeeding him is difficult and challenging. But I know I will honor this legacy and extend his work”

In the near future Ms. Rousseff will oversee a huge expansion of Brazil’s oil industry, following the discovery of major offshore fields that should make Brazil one of the world’s top 10 oil exporters.

She can count on strengthened majorities for the governing coalition in both houses of Congress to help ease the task of pushing her legislative agenda.  

President Lula said of Rousseff that she will have “to form a government in her own image – I only hope she achieves more than I did.”

- HUM News Staff

(EXCLUSIVE) Hugely Outnumbered, North Koreans Bring Own "Fans" to World Cup

(HN, June 16, 2010) -- During the surprisingly durable performance by the North Koreans against Brazil yesterday evening, official broadcasters zoomed in on a group of male fans clad in red outfits, waving the flags of the Hermit Kingdom and banging small bricks together.North Korean fans take cues from a leader at the match in Johannesburg. Credit: Sienna Reynaga

Jarring in a sea of yellow in the packed Ellis Park Stadium were a group of 40 men, appearing to be between the ages of 40-60. Identically dressed with red hats, scarves, brick clappers, flags and sweaters they were there to cheer on the team that has mystified World Cup watchers for the months approaching the games.

In the Tuesday night game, North Korea did not disappoint and ended the 90 minutes only down 2-1 against the World Cup favorite Brazil. It was the first time the team was seen in public as all of their practices have taken place behind closed doors.

Apparently meticulously screened by officials in Pyongyang, the North Korean fans appeared to hardly interact. The red jackets were led by two crowd leaders who prompted them to cheer, chant and clap the bricks together at the appropriate times. The performance was reminiscent of the crowds of trained Chinese fans that were bussed into the Bird’s Nest Stadium during the 2009 Beijing Summer Olympics.

A Korean translator was on hand to handle the throngs of reporters who flocked to the group.  As reporters from Russia to Brazil attempted to ask members of the group questions, it was quickly apparent they did not speak English (or at least were instructed to pretend not to). The translator asked two members of the group select questions about their trip, but refused to ask anything political.

The fan group looked unphazed by the almost zoo-like treatment they received from those attempting to take pictures with them, trying to talk to them, taping them and just plain staring.

When asked if they had plans to follow the North Korean team around the country (they play next on Monday in Cape Town against Portugal) a positive nod was the response.

- Reporting and photos by HUMNEWS in Johannesburg

Impact of Economic Crisis on Small Economies "Brutal" - UN

(HN, June 1, 2010) The ongoing economic crisis has dealt a huge blow on Least Developed Countries (LDCs), according to a new study focused on 49 economies that was released today.A global economic downturn often hurts small entrepreneurs, like this woman in Laos

"While overall the LDC group of countries saw improvement in their terms of trade between 2004 and 2008, these were “brutally reversed” in 2009," says the Geneva-based International Trade Centre (ITC).

LDCs have lost 43 per cent of their export earnings with developed nation trade partners and emerging economies such as Brazil and China. The report compares the boom period of 2008 to the bust period of 2009.

During 2009, LDC’s terms of trade had showed average declines ranging from minus 17 per cent to minus 36 per cent, compared to 2006, said Willem van der Geest, Lead Economist of the ITC.

While trade flows with the emerging economies, such as China, had proved more resilient than with developed economies, the LDCs terms of trade had deteriorated significantly with all partners.

 While in 2007 and the first half of 2008, LDCs had made some considerable gains, these had been completely eroded during 2009, said Van der Geest.

Overall, the terms of trade had regressed to levels of 2004. The overall picture for the LDCs remained that they were growing and exporting more but were nevertheless lowering their export-earnings.

The export-levels which might be reached by LDCs in coming years might not afford these countries to buy the same level of imports, said Van der Geest.

ITC Executive Director Patricia R. Francis said: “This important analysis of the trends in terms of trade for LDCs demonstrates how they are suffering from the fall-out of the global financial crisis. It is particularly disconcerting that South-South trade has not resulted in better terms of trade for the group.

Separately, the International Organization for Migration (IOM) issued a report today in Geneva which examines the social and economic impact of remittances sent by Angolans living in Portugal and South Africa.

The report says that for 16 per cent of the households, remittances constitute 100 per cent of monthly income.

About 67 per cent of respondents said remittances are used to meet basic household necessities, buy consumables and pay for utilities. A further 14 per cent say they use a portion of remittances for business purposes; and only 1 per cent of the respondents claim to invest part of the remittance funds in agricultural activities.

The report suggests ways to maximize their development effect in Angola, said the IOM's Jean-Phillipe Chauzy.